
Camiel Lemmens: Horn audition excerpts - Piano accompaniment Volume 2 (Romantic repertoire):
€48,00
More information about volume 2:
About:
This book contains passages for horn from orchestra and opera repertoire which a musician is expected to perform for orchestra auditions. Only the most important and most asked excerpts are included in this book. In addition to the horn scores, this book presents the musical context of the excerpt through the use of piano reductions. The musician can use this book to look up the musical context before or during the excerpt (instrumentation, rhythm, etc.).
Furthermore, these scores can be utilized by piano players as well to accompany horn players during their studies of the excerpts.
The following excerpts are included:
Giacomo Puccini – Tosca
Richard Strauss – Don Juan
Horn I
Horn IV
Tutti I
Tutti II
Richard Strauss – Till Eulenspiegels lustige Streiche
Richard Strauss – Don Quixote
Variation I „Adventure at the Windmills“
Variation VII „The Ride through the Air”
Variation VIII „The unhappy voyage in the enchanted boat”
Richard Strauss – Ein Heldenleben
1. „Der Held – The Hero“
3. „Des Heldes Gefährtin – The Hero’s Companion“
4. „Des Helden Walstatt – The Hero at Battle”
6. „Des Helden Weltflucht und Vollendung – The Hero’s Retirement from this World and Completion”
Richard Strauss – Salome
Richard Strauss – Der Rosenkavalier
Einleitung – Introduction
Act 1: „De rigori armato il seno“
Act 2: Rosenüberreichung – Presentation of the rose
Act 2: „Wird Sie das Mannsbild da heiraten, ma cousine?“
Act 3: Schneller Walzer
Richard Strauss – Eine Alpensinfonie
„Der Anstieg – The Ascent”
„Eintritt in den Wald – Entry in the forest“
„Durch Dickicht und Gestrüpp auf Irrwegen – Through Thickets and Undergrowth on the Wrong Path”
Gustav Mahler – Symphony No. 1 „Titan”
1st movement
3rd movement
Gustav Mahler – Symphony No. 3
Horn I
Horn IV
Gustav Mahler – Symphony No. 4
Gustav Mahler – Symphony No. 5
1st movement “Trauermarsch – Funeral March”
3rd movement “Scherzo”
Gustav Mahler – Symphony No. 6 „Tragische – Tragic”
1st movement
4th movement: Finale
Gustav Mahler – Symphony No. 7
Gustav Mahler – Symphony No. 9
1st movement: Horn II
1st movement: Horn I
4th movement
Daarnaast kunnen deze partijen ook door pianisten worden gebruikt om hoornisten te begeleiden tijdens hun studie van de fragmenten.
De volgende fragmenten zijn inbegrepen:
Albert Lortzing – Der Wildschütz
1e akte, scène 3, nr. 2: Duet
3e akte, scène 15, nr. 16: Finale
Robert Schumann – Symfonie nr. 1 “Frühling – Spring”
Robert Schumann – Symfonie nr. 3 “Rheinische – Rhenish”
2e deel “Scherzo – Sehr mässig”
4e deel “Feierlich”
Johannes Brahms – Symfonie nr. 1
1e deel “Allegro”
2e deel “Andante sostenuto”
3e deel “Un poco allegretto e grazioso”
4e deel “Adagio – Più andante”
Johannes Brahms – Symfonie nr. 2 “Pastorale”
1e deel “Allegro non troppo”
2e deel “Adagio non troppo”
Johannes Brahms – Symfonie nr. 3
Johannes Brahms – Symfonie nr. 4
Johannes Brahms – Pianoconcert nr. 1
Johannes Brahms – Pianoconcert nr. 2
1e deel “Allegro non troppo”
2e deel “Allegro appasionato” – Versie A
2e deel “Allegro appasionato” – Versie B
Johannes Brahms – Variaties op een thema van Joseph Haydn
Koraal St. Antoni “Andante”
Variatie 5 “Vivace”
Variatie 6 “Vivace”
Johannes Brahms – Akademische feestouverture
Giuseppe Verdi – Don Carlos
Giuseppe Verdi – Otello
1e akte: “Capitano, v’attende la fazione si baluardi”
2e akte: “Ora e per sempre addio”
3e akte: “Vieni, l’aula è deserta”
Georges Bizet – Carmen
Pjotr Iljitsj Tsjaikovski – Symfonie nr. 4
Pjotr Iljitsj Tsjaikovski – Symfonie nr. 5
César Franck – Symfonie in d-klein
Antonín Dvořák – Symfonie nr. 8
Antonín Dvořák – Symfonie nr. 9 “From the new world – Aus der neuen Welt”
1e deel “Adagio – Allegro molto”
3e deel “Molto vivace”
4e deel “Allegro con fuoco – Un poco sostenuto”
Antonín Dvořák – Celloconcert in b-klein
1e deel “Allegro”
2e deel “Adagio, ma non troppo”
Description
More information about volume 2:
About:
This book contains passages for horn from orchestra and opera repertoire which a musician is expected to perform for orchestra auditions. Only the most important and most asked excerpts are included in this book. In addition to the horn scores, this book presents the musical context of the excerpt through the use of piano reductions. The musician can use this book to look up the musical context before or during the excerpt (instrumentation, rhythm, etc.).
Furthermore, these scores can be utilized by piano players as well to accompany horn players during their studies of the excerpts.
The following excerpts are included:
Giacomo Puccini – Tosca
Richard Strauss – Don Juan
Horn I
Horn IV
Tutti I
Tutti II
Richard Strauss – Till Eulenspiegels lustige Streiche
Richard Strauss – Don Quixote
Variation I „Adventure at the Windmills“
Variation VII „The Ride through the Air”
Variation VIII „The unhappy voyage in the enchanted boat”
Richard Strauss – Ein Heldenleben
1. „Der Held – The Hero“
3. „Des Heldes Gefährtin – The Hero’s Companion“
4. „Des Helden Walstatt – The Hero at Battle”
6. „Des Helden Weltflucht und Vollendung – The Hero’s Retirement from this World and Completion”
Richard Strauss – Salome
Richard Strauss – Der Rosenkavalier
Einleitung – Introduction
Act 1: „De rigori armato il seno“
Act 2: Rosenüberreichung – Presentation of the rose
Act 2: „Wird Sie das Mannsbild da heiraten, ma cousine?“
Act 3: Schneller Walzer
Richard Strauss – Eine Alpensinfonie
„Der Anstieg – The Ascent”
„Eintritt in den Wald – Entry in the forest“
„Durch Dickicht und Gestrüpp auf Irrwegen – Through Thickets and Undergrowth on the Wrong Path”
Gustav Mahler – Symphony No. 1 „Titan”
1st movement
3rd movement
Gustav Mahler – Symphony No. 3
Horn I
Horn IV
Gustav Mahler – Symphony No. 4
Gustav Mahler – Symphony No. 5
1st movement “Trauermarsch – Funeral March”
3rd movement “Scherzo”
Gustav Mahler – Symphony No. 6 „Tragische – Tragic”
1st movement
4th movement: Finale
Gustav Mahler – Symphony No. 7
Gustav Mahler – Symphony No. 9
1st movement: Horn II
1st movement: Horn I
4th movement
Daarnaast kunnen deze partijen ook door pianisten worden gebruikt om hoornisten te begeleiden tijdens hun studie van de fragmenten.
De volgende fragmenten zijn inbegrepen:
Albert Lortzing – Der Wildschütz
1e akte, scène 3, nr. 2: Duet
3e akte, scène 15, nr. 16: Finale
Robert Schumann – Symfonie nr. 1 “Frühling – Spring”
Robert Schumann – Symfonie nr. 3 “Rheinische – Rhenish”
2e deel “Scherzo – Sehr mässig”
4e deel “Feierlich”
Johannes Brahms – Symfonie nr. 1
1e deel “Allegro”
2e deel “Andante sostenuto”
3e deel “Un poco allegretto e grazioso”
4e deel “Adagio – Più andante”
Johannes Brahms – Symfonie nr. 2 “Pastorale”
1e deel “Allegro non troppo”
2e deel “Adagio non troppo”
Johannes Brahms – Symfonie nr. 3
Johannes Brahms – Symfonie nr. 4
Johannes Brahms – Pianoconcert nr. 1
Johannes Brahms – Pianoconcert nr. 2
1e deel “Allegro non troppo”
2e deel “Allegro appasionato” – Versie A
2e deel “Allegro appasionato” – Versie B
Johannes Brahms – Variaties op een thema van Joseph Haydn
Koraal St. Antoni “Andante”
Variatie 5 “Vivace”
Variatie 6 “Vivace”
Johannes Brahms – Akademische feestouverture
Giuseppe Verdi – Don Carlos
Giuseppe Verdi – Otello
1e akte: “Capitano, v’attende la fazione si baluardi”
2e akte: “Ora e per sempre addio”
3e akte: “Vieni, l’aula è deserta”
Georges Bizet – Carmen
Pjotr Iljitsj Tsjaikovski – Symfonie nr. 4
Pjotr Iljitsj Tsjaikovski – Symfonie nr. 5
César Franck – Symfonie in d-klein
Antonín Dvořák – Symfonie nr. 8
Antonín Dvořák – Symfonie nr. 9 “From the new world – Aus der neuen Welt”
1e deel “Adagio – Allegro molto”
3e deel “Molto vivace”
4e deel “Allegro con fuoco – Un poco sostenuto”
Antonín Dvořák – Celloconcert in b-klein
1e deel “Allegro”
2e deel “Adagio, ma non troppo”


































